Archive for November, 2009

News has leaked that Summit Entertainment, which owns the rights to and finances the Twilight films, is in the midst of deciding whether or not they’ll try to extend the series by splitting the fourth and final book in Stephenie Meyer’s saga into two movies. The company is supposedly leaning towards splitting the fourth movie into two (making 5 movies overall), but in order to make that plan a reality must first jump a few hurdles.

With New Moon making over $400 million worldwide in its first two weekends, the franchise has risen to a monumental status. This being the case, it then presents the option of extending the series more so than originally planned because box-office returns will have be extremely secure (barring catastrophes). But Summit would need to first get permission from Meyer, who holds vetoing power on almost everything related to the films. And because of New Moon’s success, Summit wants to resign the film’s director, Chris Weitz,  for the fourth and potentially fifth film. However, he had already made plans to direct another film to be produced by Summit, The Gardener, but no deal has officially been closed as of yet. The company has reportedly not ruled out the possibility of making Weitz put that film on hold until after completing the fourth and fifth films – if he signs on to direct.

With the money Summit has made and continues to make on New Moon, it will be able to as well as likely have to pay extra for Weitz services, not to mention also the services of the cast and screenwriter Melissa Rosenberg, all of which were signed on for only four films.

Source: Variety

Quick Opinion: Extending a franchise by splitting its source material into parts by way of making a higher number of movies is a Hollywood money-making tactic that most seem to actually like. Many Harry Potter fans were upset with each additional film’s lack of detail, faithfulness, etc., saying that all of the films were far too condensed. With Warner Bros. splitting the last film in the series into two films, it has re-encouraged this particular crowd. This is not to necessarily say that the Twilight series has the same breadth as Harry Potter’s, but more movies means more attention to detail, which fans appreciate. So, studios get more money, fans get more material to watch, and everybody wins.

Area 51 - It doesn't say filming prohibited!

Oren Peli, director of the supernatural haunting hit Paranormal Activity, has just finished principle filming for his newest film Area 51, which Paramount Pictures has just bought the distribution rights for.

Paranormal Activity has become one of the most profitable films ever, costing just $11,000 to make and grossing over $100 million. Such success for the small independent film allowed Peli’s newest effort to garner much attention in the bidding for its distribution rights. How much Paramount paid for the rights is unknown.

Area 51 is said to be made in a similar style to Paranormal Activity in that it’s made up of “found footage.” Its story is reportedly about three teenagers who wander into the secretive Area 51 section of Nellis Air Force Base in Nevada, and then experience strange happenings.

“These films show that real franchises can be successfully launched from the independent side of the business — not something the marketplace necessarily believed five years ago,” said Adam Goodman of Paramount. – Variety

Paramount’s unique and successful promotion campaign for Paranormal Activity, as well as other efforts it made for the film, are exciting executives at the studio about creating more high-grossing franchises from small independent productions.

Source: Variety

Quick Opinion: It is the opinion of Movie-Thoughts that Oren Peli’s Paranormal Activity is a very notable effort that deserves the accolades it has so far received. Its “found footage” style fit well with the material and went a long way towards making said material very effective. To hear that Peli’s latest film is using the same style is – at this point – nothing more than intriguing. However, it is of note because if Area 51 enjoys box-office success (regardless if its the same level of success as Paranormal Activity or if Paramount launches another innovative promotion effort) I see the “found footage” style potentially becoming the next stylistic wave in the horror/thriller genre. Torture films have been on the decline both financially and in popularity (with slight exception to the Saw series), and being that other directors have proven to be able to use the “found footage’s” realistic style with success (unlike during the period immediately following 1999’s The Blair Witch Project, which was filled with mostly parodies), not to mention the style is perhaps the cheapest to finance, studios will be itching to get a piece of the pie (namely Lionsgate, Dark Castle, and that ilk).

Short Take: Uncomprimisingly harsh, which helps make it so inspirational

Director: Lee Daniels (Shadowboxer)

Screenwriters: Geoffrey Fletcher

Cast: Gabourey Sidibe (début), Mo’Nique (Welcome Home, Roscoe Jenkins; Phat Girlz)

Length: 1 hour 50 minutes

Synopsis: Clareece “Precious” Jones is a 16-year-old girl living in 1980’s Harlem.  Still in the eighth grade and pregnant with her second child by her father, she is sent to a special school where she finally learns to read and write and is given the support and confidence she needs to finally escape her physically and emotionally abusive mother.

Analysis: Judging from previews and advertisements for Precious, one would expect it to depict the story’s events with a startling realism.  However, director Lee Daniels takes a different approach.  Though Daniels certainly renders Precious’s life with horrifying detail, the film deals in fantasy as much as it does in realism.  For Precious, and for the film, fantasy is a means of escaping the brutal life she lives. Read the rest of this entry »