Archive for June, 2010

Short Take: Definitely the most interesting of the series thus far

Director: David Slade (30 Days of Night)

Screenwriter: Melissa Rosenberg (Twilight Saga, Step Up)

Cast: Kristen Stewart (Twilight Saga, The Runaways, Adventureland), Robert Pattinson (Twilight Saga, Remember Me), Taylor Lautner (Twilight Saga, Valentine’s Day)

Length: 2 hours 4 minutes

Synopsis: When last we left Bella Swan (Stewart) in New Moon, she was deciding between vampire boyfriend Edward Cullen (Pattinson) or werewolf and best friend Jacob Black (Lautner).  Bella spends much of Eclipse weighing her options.  On the one hand, she could spend eternity as a vampire with Edward, though that would mean giving up important human experiences like aging and having a normal family. Choosing Jacob would allow her life to continue unchanged, except that she would have to lose Edward.  On top of this love triangle an army of recently turned or “newborn” vampires is after Bella, and Jacob and Edward must put aside the rivalry between their warring families to protect her. Read the rest of this entry »

With Robert Rodriguez’s Predators (a remake of 1987′s Predator) opening very soon (July 9th) we here at Movie-Thoughts thought it would be appropriate to bring up the topic of remakes and reboots. A looming remake besides Predators that has had the attention of the movie world is 2012′s reboot of the grossly successful Spider-Man franchise. Why is this?

Many fans on the blogosphere have expressed some downright odious sentiments about the idea of rebooting a movie franchise as successful as Spider-Man, especially so soon after the original trilogy was completed (Spider-Man 3 came out in the summer of 2007). In case you need to play catch-up on the topic, here is the full press release from Sony Pictures about the new Spidey project: Read the rest of this entry »

Jonah Hill and John C. Reilly's "Cyrus" has been one of the recent indie successes

According to Pamela McClintock of Variety.com the “specialty sector”, or independent film market, has received a recent boost in box-office grosses thanks to releases like Mark and Jay Duplass’ Cyrus starring Jonah Hill, John C. Reilly, Marisa Tomei, and Catherine Keener, a documentary that follows the raising of several children from all over the world titled Babies, as we as several others.

President of Fox Searchlight Steve Gilula says that the recent (relative) success of these independent films are indicative that there “is life in the [indie] market, even as audiences are being more selective.” Some other examples of these films include City Island, Exit Through the Gift Shop, and The Girl with the Dragon Tattoo.

These indie successes hope to continue their theatrical and VOD runs, because as with any film the longer the run the more money they make. However, with word of mouth being the primary propellant of their runs such success is almost completely reliant on audience buzz, which is means these films’ futures are harder to predict than most.

One aspect that’s being tentatively attributed to these films’ financial achievements is how there are fewer large-market films being released during the Spring and early Summer months. Also consider the recent Warner Bros. flop Jonah Hex, for example, and it can be said that independent films have had less competition than usual.

The momentum that the “specialty sector” is building right now will be important for the current releases in creating Oscar buzz come Fall and Winter, as well as help later indie releases like Bill Murray and Robert Duvall’s Get Low, which will open July 30th, to do the same by holding the attention of audiences who may become distracted by bigger films such as Inception, Predators, Twilight: Eclipse, Salt, The Sorcerer’s Apprentice, and Tron.

Source: Variety

Is our judgment of a work of art based solely upon whether or not it delights us in some way?

De gustibus non disputandum (There can be no disputing over matters of taste). – Latin dictum

When it comes to art in general people have been trying for thousands of years (basically since the time of Aristotle) to make heads or tails of why people think the way they do. Are there certain innate likes and dislikes that are embedded in every person, and if so then how can we explain the occasional anomaly? If each person’s taste in art, whether it be concerning architecture, sculpture, paintings, or movies, is unique, how can any consensuses be made about anything? Could such consensuses, if they happen, be considered happenstance or indicative of that certain work’s true value? Should we base our likes and dislikes of works of art on whether or not we apply personal value to them? Are there consistencies and/or patterns that can be discovered in the ways each person applies value to various works of art? Read the rest of this entry »

Short Take: Pretty solid all around, though Cruise' playful attitude towards the material makes the film

Director: James Mangold (3:10 to Yuma, Walk the Line)

Screenwriter: Patrick O’Neill (Début Film)

Cast: Tom Cruise (Tropic Thunder, Mission Impossible III), Cameron Diaz (Shrek Forever After, My Sister’s Keeper), Peter Sarsgaard (Orphan, An Education) Paul Dano (Taking Woodstock, There Will Be Blood)

Length: 1 hour 50 minutes

Synopsis: June Havens (Diaz) meets Roy Miller (Cruise), seemingly by accident, when they bump into each other at the airport.  June and Roy end up on the same flight and start a casual flirtation.  Things take a turn for the dangerous when Roy kills everyone else on the near-empty flight explaining that he’s a CIA agent on the lam because he stole a valuable new invention called the Zephyr.  June’s involvement with Roy puts her in danger and he insists that she must trust him in order to survive.  However, everything from Roy’s unpredictable behavior to the appearance of FBI Agent Fitzgerald (Sarsgaard) leads June to question Roy’s sincerity.  As June and Roy encounter ever more dangerous scenarios, she must decide whether Roy is endangering her life or protecting it. Read the rest of this entry »

Hogwarts Castle is no longer something of fiction. You can now visit it!

The brand new Orlando amusement park – which reportedly cost $265 million to build – based off of the Harry Potter books and movies has opened to rave reviews from Potter fans around the globe. A fully immersive park all on its own, though technically attached to the Universal Studios park, The Wizarding World of Harry Potter contains rides, restaurants, and enough site-seeing to make you believe you’re actually in the stories. You can hear Moaning Myrtle in the restrooms, visit Dumbledore’s office, drink pumpkin juice and butterbeer (the recipes of which were approved by J.K. Rowling), and see a quidditch match. You can even visit gift shops where if you’re looking to pick out a wand, a wand will pick you!

Let Daniel Radcliffe and MTV take you on a tour of the park here.

Watch a video documenting the grand opening of the park here.

The Gainesville Sun, of Gainesville FL, published in today’s paper their list of the Top 10 features of the new park. Here is a sampling of what they had to say (we wont spoil the rankings).

“Hogwarts: Trademark castle houses the new Harry Potter and the Forbidden Journey ride and an elaborate queue with tons of detailing. Watch for the Mirror of Erised, Dumbledore’s office, living portraits, mandrakes, the Dark Arts classroom, levitating candles and more, all before taking off on the ride’s ‘enchanted benches.’ “

“Live entertainment: Expect regular performances by the Frog Chorus (an a cappella quartet plus two amphibians) as well as physical demonstrations by the contrasting styles of Beauxbatons Academy of Magic (dancing with ribbons) and Durmstrung Institute (very serious acrobatics and weaponry).”

For fans of Harry Potter it appears that The Wizarding World is just as wonderful as you could have hoped. Elements from both the books and the movies can be found, which bring to life one of the most successful entertainment franchises in history. If any of you readers out there get a chance to visit the park, drop us a line and tell us about your trip. We’d love to hear all about your experiences!

The Wizarding World's Grand Opening on June 18th

Interesting Factoid: The mayor of London, Boris Johnson, has publicly expressed his displeasure about the fact that the Harry Potter park was built in the United States as opposed to England.

“I want to know why this Kingdom of Potter is not being built in the UK, and I won’t be fobbed off with any nonsense about the weather. They built Eurodisney in the Valley of the Marne, where it is at least as cold and drizzly as it is in London – and it has been a triumphant success”

I suppose it’s understandable that a number of Brits would have preferred the park be built in England because the character of Harry Potter is such a huge British icon, but calling Eurodisney a “triumphant success” just makes you sound crazy. The climate was no doubt a very big factor in the decision to build the park in Florida – a state which houses the most financially successful and well-attended amusement parks in the world. The Wizarding World in London would have made logical sense yes, but let’s be reasonable.

Writer/Director M. Night Shyamalan

The Hollywood Reporter has announced that writer/director M. Night Shyamalan has been shopping a new script around Hollywood, and that there might already be a cast for it.

Bruce Willis, Gwyneth Paltrow, and Bradley Cooper‘s names have been “loosely tied” to the project. If Willis officially signs on, it will be the third time he and the director will have worked together (The Sixth Sense – 1999, Unbreakable – 2000). No details about the story are yet known, as it is being kept secret from anyone outside executive offices.

Source: Hollywood Reporter

Quick Opinion: Shyamalan’s previous three films (The Village, Lady in the Water, The Happening) each endured their share of critical beat downs – particularly Lady in the Water and The Happening - and so the once-acclaimed director is certainly hoping that this summer’s The Last Airbender (July 1st) will bring him out of his slump. If nothing else, he surely hopes that the film proves commercially successful so that he can use that momentum to get this newest project green-lighted. If he can prove to studios that he’s still capable of putting butts in the seats it would go a long way towards salvaging his career – or at least his career as a director. Even with his worst films he has proven that he can come up with original and interesting concepts, so if he’s ever relegated to being just a writer then whatever he writes can be possibly improved upon through collaboration with other directors and writers. And if this were to happen Shyamalan should count his blessings because there are far worse fates in the movie industry.

Short Take: Entertaining but sorely underdeveloped - It could have been considerably better

Director: Jimmy Hayward (Horton Hears a Who!)

Screenwriter: Mark Neveldine and Brian Taylor (Gamer, Crank: High Voltage)

Cast: Josh Brolin (Milk, No Country for Old Men), Megan Fox (Jennifer’s Body, Transformers), John Malkovich (Burn After Reading, Changeling), Michael Fassbender (Inglourious Basterds, Fish Tank, 300)

Length: 1 hour 23 minutes

Synopsis: The film begins with former Confederate soldier Jonah Hex (Brolin) forced to watch his wife and son burn to death at the hands of former friend Quentin Turnbull (Malkovich).  Left for dead, Hex is found and revived by a group of Crow Indians, but he’s a changed man.  Not only does he literally bear a brand of Turnbull’s betrayal on his face, but his travels between death and life left him with some unique abilities.  Hex can seemingly survive any number of bullet wounds and revive the dead for short periods of time with a single touch.  Hex devotes his life to taking revenge on Turnbull and when the U.S. government asks for his help in stopping Turnbull from using a powerful weapon against innocent citizens during the nation’s centennial celebration, he must find him before time runs out. Read the rest of this entry »

Short Take: Delivers nothing less than what you would expect from Pixar

Director: Lee Unkrich (co-director of Toy Story 2, Monster’s Inc., Finding Nemo)

Screenwriters: Michael Arndt (Little Miss Sunshine), John Lasseter (Toy Story, Toy Story 2), Andrew Stanton (Monster’s Inc., WALL-E), Lee Unkrich

Cast: Tom Hanks (The Da Vinci Code), Tim Allen (The Santa Clause 3), Joan Cusack (Kit Kittredge), Ned Beatty (Charlie Wilson’s War)

Length: 1h 43m

Synopsis: Woody (Hanks) and Buzz (Allen) and the gang are preparing themselves for the day that they knew would eventually come, and that day is when their owner Andy (now 17 years old) heads off to college and relegates his toys to either the attic or place of donation. All the toys are in a panic, and despite Woody’s efforts to calm them their hysteria is just too great. What ends up happening to them is that they are given away to a nearby daycare center where they are met with many other toys, but also some unruly toddlers. These hyperactive tots viciously mistreat their new toys, and on top of that not all of the daycare’s older toys are quite what they seem to be. All of Andy’s old toys decide they must somehow reunite with him, but figuring out how to do that will be their biggest challenge yet. Read the rest of this entry »

It’s a question that’s plagued me for a while now: whatever happened to big Hollywood movie musicals?  Movie genres typically go through cycles of popularity and I think we’re due for another round of flashy, dance-filled musicals.

Busby Berkley's kaleidoscopic dance numbers, like this one in "Footlight Parade" (1933), helped make American musicals world famous

Musicals have been a long-enduring genre since the early days of film.  In fact, the very first sound film was a musical—1927’s The Jazz Singer.  When it became a runaway success, studios rushed to create more musicals, some of which became the beginnings of a series.  Warner Brothers’ triumph with The Gold Diggers of Broadway led to The Gold Diggers of 1933, which became one of the most celebrated musicals of all time thanks in large part to Busby Berkeley’s intricate choreography.  RKO Radio Pictures first paired dancers Fred Astaire and Ginger Rogers—who danced together in nine films—in 1933 in Flying Down to Rio, creating arguably the most famous dancing couple in film history.  Metro-Goldwyn-Mayer released The Broadway Melody in 1929, which not only started a series but also won the Academy Award for Best Picture.  As time went on, production companies made more and more musicals until the genre reached its greatest popularity in the 1940’s and ‘50s.

Though many studios made musicals during that time, MGM arguably became the company most associated with producing expensive, opulent and immensely successful musicals.  They produced Easter Parade, Summer Stock, An American in Paris, Singin’ in the Rain, The Band Wagon, Seven Brides for Seven Brothers and Guys and Dolls, as well as numerous others.  Those films were a mixture of song and dance and while they weren’t exactly realistic, they were always entertaining. MGM musicals have always been my favorites and when I think of the kind of musicals I’d love to see now, I imagine huge productions with the same glamour and spectacle as MGM’s greatest musicals.  I’m talking musicals with big, expensive set pieces and extended dance sequences with dancers wearing costumes of every conceivable color.  I’m talking great songs that not only convey exactly what the character feels, but are also catchy and make the audience want to sing along.

Read the rest of this entry »