Archive for the ‘News’ Category

Walt Disney Productions has released a teaser trailer for their film Tron Legacy, scheduled to be released into theaters December 17th.

Click here to see it.

“Sam Flynn, the tech-savvy 27-year-old son of Kevin Flynn, looks into his father’s disappearance and finds himself pulled into the same world of fierce programs and gladiatorial games where his father has been living for 25 years. Along with Kevin’s loyal confidant, father and son embark on a life-and-death journey across a visually-stunning cyber universe that has become far more advanced and exceedingly dangerous.” – IMDb.com

The film will be released in 3-D as well as 2-D.

"Superman Returns," although successful, was not nearly successful enough to please Warner Bros.

David Goyer, who helped write Batman Begins and The Dark Knight with Christopher and Jonathan Nolan, is in negotiations with Warner Brothers and Legendary Pictures to pen the script to the next Superman movie. Goyer’s help in making the Batman brand so financially valuable is no doubt the reason behind the studios’ decision, but he is also recognized for his efforts with the Blade series.

Actor Brandon Routh and director Bryan Singer will not return due to Warner Bros.’ dissatisfaction with how much Superman Returns earned at the box office (costing about $270 million and grossing $391 million worldwide according to BoxOfficeMojo.com). Despite the film’s respectable totals they apparently thought that a character as iconic as Superman should have earned much better numbers.

Goyer’s pitch regarding the Superman script dealt with lots of action and battles with arch-nemesis Lex Luthor and super villain Brainiac, which must have appealed to both studios.

Warner Bros. is in kind of a hurry, as they must create a finished Superman film by 2013 because that is when their copyright on the character of Superman expires and all rights go to the heirs of co-creator Joe Shuster.

Source: Variety

Quick Opinion: I’ve said this before with regards to Warner Bros. beef with Bryan Singer and I’ll say it again – the problem with Superman Returns‘ returns was not Singer’s fault. The character and brand, while certainly still iconic in the United States, is not nearly as popular outside of the U.S. because he was birthed from WWII patriotism. People around the world got behind Superman because what he stood for – in essence – was the might of the U.S. army and allying forces against the Nazi regime. Superman was pro-American justice and anti-tyranny. Such a character does not fit with modern America, who loves to root for the little guy (Spider-Man) and tortured soul (Batman). Anymore, Superman is thought of as being too powerful to like. Batman and Spider-Man, though special, are viewed to be more on the level of the everyman, which is a position that has been the most popular with superhero audiences since before 2006′s Superman Returns and continues to this day. The next Superman movie might earn more money because it will supposedly be more action-packed (attracting the large Transformers-type crowds), but if they invest the same amount that they did for Bryan Singer’s film they’ll be whining about returns again in 2014.

(For more elaboration on this topic, see Movie-Thoughts’ Deep Thoughts “A Different Look at ‘The Dark Knight.’” Comments on Superman being unfitting with modern times are near the end.)

Disney has two songs nominated from "The Princess and the Frog", either of which they would have certainly been proud to perform. But alas.

The Academy of Motion Picture Arts and Sciences  has announced that this year’s nominees for Best Original Song will not be performed during the Academy Awards ceremony on March 7th. Instead, each song will be shortened and showcased with an accompanying clip from their respective films.

Best Song nominees are -

“Almost There” from The Princess and the Frog, Randy Newman
“Down in New Orleans” from The Princess and the Frog, Randy Newman
“Loin de Paname” from Paris 36, Reinhardt Wagner and Frank Thomas
“Take It All” from Nine, Maury Yeston
“The Weary Kind (Theme from Crazy Heart)” from Crazy Heart, Ryan Bingham and T Bone Burnett

Source: Hollywood Reporter

Quick Opinion: I wonder what the impetus was for breaking with tradition? Usually the Best Song performances are some of the more glamorous, theatrical, and overall entertaining parts of the entire show. Hosts Alec Baldwin and Steve Martin will surely provide musical moments of their own that were created specifically for the show, but why not give the actual nominees the same spotlight? The Academy has not released a reason for this move, which naturally prompts negative speculation. My best guess is that the aim is to shorten the lengthy ceremony. Many have complained just as much about how long the awards show is as they did that certain films got “snubbed” for Best Picture nominations. If the goal is to shorten the show and appease audience interests, why then would they scrap the Best Song performances instead of electing to not televise categories most people don’t care about (e.g., Best Sound Editing, Best Sound Mixing, Best Documentary Short, Best Live-Action Short and, depending on who you talk to, Best Foreign Language Film as well)? Personally, I’d just be happy if they reduced the amount of those extended commercial breaks.

Writer/Director/Actor Kevin Costner

Beacon Pictures is fully financing a story taking place during World War II titled A Little War of Our Own, which deals with a sheriff (Costner) trying to keep his town from being overrun by violence. This project will mark the fifth teaming of Beacon head Armyan Bernstein (acting producer) with Costner as either producer or executive producer (The Guardian, Open Range, Thirteen Days, For Love of the Game).

“This has been a dream project for Kevin and I for years,” Bernstein said. “The themes are timeless — war, peace and reconciliation. The canvas is epic — look at the movies Kevin has directed.” – Variety

The story was written by a Dan Gordon.

Source: Variety

It's that time of year again!

Oscar nominations were released today! See which of your favorite movies/people were nominated, and tell us if you disagree with any of them. Are there any snubs?

We here at Movie-Thoughts are soon going to be starting a continuing piece dissecting these nominations one category at a time, so be sure to check back regularly!

The 82nd Academy Awards will be aired on March 7th, and will be hosted by Steve Martin and Alec Baldwin.

Best picture
“Avatar”
“The Blind Side”
“District 9″
“An Education”
“The Hurt Locker”
“Inglourious Basterds”
“Precious”
“A Serious Man”
“Up”
“Up in the Air”

Best actor
Jeff Bridges, “Crazy Heart”
George Clooney, “Up in the Air”
Colin Firth, “A Single Man”
Morgan Freeman, “Invictus”
Jeremy Renner, “The Hurt Locker”

Best actress
Sandra Bullock, “The Blind Side”
Helen Mirren, “The Last Station”
Carey Mulligan, “An Education”
Gabourey Sidibe, “Precious”
Meryl Streep, “Julie & Julia”

Best supporting actor
Matt Damon, “Invictus”
Woody Harrelson, “The Messenger”
Christopher Plummer, “The Last Station”
Stanley Tucci, “The Lovely Bones”
Christoph Waltz, “Inglourious Basterds”

Best supporting actress
Penelope Cruz, “Nine”
Vera Farmiga, “Up in the Air”
Maggie Gyllenhaal, “Crazy Heart”
Anna Kendrick, “Up in the Air”
Mo’Nique, “Precious ”

Best director
James Cameron, “Avatar”
Kathryn Bigelow, “The Hurt Locker”
Quentin Tarantino, “Inglourious Basterds”
Lee Daniels, “Precious”
Jason Reitman, “Up in the Air”

Best foreign-language film
“Ajami” Israel
“El Secreto de Sus Ojos” Argentina
“The Milk of Sorrow” Peru
“Un Prophete” France
“The White Ribbon” Germany

Best adapted screenplay
Neill Blomkamp and Terri Tatchell, “District 9″
Nick Hornby, “An Education”
Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche, “In the Loop”
Geoffrey Fletcher, “Precious”
Jason Reitman and Sheldon Turner, “Up in the Air”

Best original screenplay
Mark Boal, “The Hurt Locker”
Quentin Tarantino, “Inglourious Basterds”
Alessandro Camon and Oren Moverman, “The Messenger”
Joel Coen and Ethan Coen, “A Serious Man”
Bob Peterson, Pete Docter, Tom McCarthy, “Up”

Best animated feature film
“Coraline”
“Fantastic Mr. Fox”
“The Princess and the Frog”
“The Secret of Kells”
“Up”

Best art direction
“Avatar”
“The Imaginarium of Doctor Parnassus”
“Nine” “Sherlock Holmes”
“The Young Victoria”

Best cinematography
“Avatar”
“Harry Potter and the Half-Blood Prince”
“The Hurt Locker”
“Inglourious Basterds”
“The White Ribbon”

Best sound mixing
“Avatar”
“The Hurt Locker”
“Inglourious Basterds”
“Star Trek”
“Transformers: Revenge of the Fallen”

Best sound editing
“Avatar”
“The Hurt Locker”
“Inglourious Basterds”
“Star Trek”
“Up”

Best original score
“Avatar,” James Horner
“Fantastic Mr. Fox,” Alexandre Desplat
“The Hurt Locker,” Marco Beltrami and Buck Sanders
“Sherlock Holmes,” Hans Zimmer
“Up,” Michael Giacchino

Best original song
“Almost There” from “The Princess and the Frog,” Randy Newman
“Down in New Orleans” from “The Princess and the Frog,” Randy Newman
“Loin de Paname” from “Paris 36,” Reinhardt Wagner and Frank Thomas
“Take It All” from “Nine,” Maury Yeston
“The Weary Kind (Theme from Crazy Heart)” from “Crazy Heart,” Ryan Bingham and T Bone       Burnett

Best costume design
“Bright Star”
“Coco Before Chanel”
“The Imaginarium of Doctor Parnassus”
“Nine”
“The Young Victoria”

Best documentary feature
“Burma VJ”
“The Cove”
“Food, Inc.”
“The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers”
“Which Way Home”

Best documentary short
“China’s Unnatural Disaster: The Tears of Sichuan Province”
“The Last Campaign of Governor Booth Gardner”
“The Last Truck: Closing of a GM Plant”
“Music by Prudence”
“Rabbit a la Berlin”

Best film editing
“Avatar”
“District 9″
“The Hurt Locker”
“Inglourious Basterds”
“Precious”

Best makeup
“Il Divo”
“Star Trek”
“The Young Victoria”

Best animated short film
“French Roast”
“Granny O’Grimm’s Sleeping Beauty”
“The Lady and the Reaper (La Dama y la Muerte)”
“Logorama”
“A Matter of Loaf and Death”

Best live-action short film
“The Door”
“Instead of Abracadabra”
“Kavi”
“Miracle Fish”
“The New Tenants”

Best visual effects
“Avatar”
“District 9″
“Star Trek”

Kathryn Bigelow accepting the DGA's award for Best Director for "The Hurt Locker"

Kathryn Bigelow, director of The Hurt Locker, won the Director’s Guild of America’s award for Best Director, beating out ex-husband James Cameron (Avatar), Quentin Tarantino (Inglourious Basterds), Jason Reitman (Up in the Air), and Lee Daniels (Precious).

She is the first woman to ever receive the award.

The DGA’s decision is seldom challenged by the Academy of Motion Picture Arts and Sciences, as the winner of the first has won the second with only 6 exceptions since 1948 (the most recent being the DGA awarding Rob Marshall for Chicago and the Oscars awarding Roman Polanski for The Pianist).

Bigelow’s win continues The Hurt Locker‘s momentum, as it also won the Producer’s Guild of America award for Best Producing, and the National Society of Film Critic’s award for Best Picture. Mark Boal, the film’s screenwriter, is also nominated for the WGA’s Screenwriting Award (the winners will be announced Feb. 20th). The American Film Institute also listed the film among its Top 10 films of the year.

Source: Hollywood Reporter

Quick Opinion: Kathryn Bigelow deserves a loud congratulations from the filming community indeed, as with any woman who breaks down a barrier in Hollywood. But even though the DGA’s pick is usually a reliable bet for the Academy Awards, I don’t think her winning the Best Director Oscar is a sure thing. James Cameron’s Avatar will surely be nominated for Best Picture, and his technical innovation for the film still makes him the front runner for the award in my opinion. Bigelow broke down social barriers, and Cameron broke down artistic and technological ones. It all depends on what the Academy of Motion Picture Arts and Sciences believes is more impressive.

"Flight of the Conchords" actor Bret McKenzie, actor Jemaine Clement, and co-creator/executive producer James Bobin

“Flight of the Conchords” co-creator James Bobin has signed on to direct the next Muppet-starred movie from Disney after original directors Phil Lord and Chris Miller (Cloudy with a Chance of Meatballs) backed out to direct 21 Jump Street with Sony. Bobin had the choice to direct either the Muppets movie or a Judd Apatow comedy titled Bridesmaids.

Jason Segel and Nicholas Stoller wrote the script for the Muppet movie, Segel being a confessed Muppet fanatic.

Source: Hollywood Reporter

Martin Scorsese

Renowned director Martin Scorsese is reportedly trying to helm the film adaptation of “The Invention of Hugo Cabret,” an award-winning children’s book.

“Story centers on a 12-year-old orphan named Hugo, who lives in a train station and must finish what his late father started by solving the mystery of a broken robot. Project would mark Scorsese’s first foray into kid lit — a genre that is attracting a number of high-profile directors including Wes Anderson (“The Fantastic Mr. Fox”) and Spike Jonze (“Where the Wild Things Are”), whose films are resonating with adult audiences.” – Variety

The book won the Randolph Caldecott Medal for distinguished children’s literature in 2008 and consists of 533 pages. The screenplay was written by John Logan, who also wrote the screenplay for Scorsese’s Aviator.

Source: Variety

Disney Studio chairman Rich Ross has recently announced that Sean Bailey, current producer of Disney’s Tron: Legacy, will replace Oen Aviv as the company’s President of Production. He will oversee all aspects of live-action production and development for Walt Disney Pictures as well as Touchstone Entertainment.

“Building upon a strong foundation with the company, Sean brings great creative instincts and considerable filmmaking experience to his new role,” Ross said. “His close relationships throughout the creative community and industry at large make him an ideal leader to set the direction of TWDS’ future film slates. Sean’s talent, energy, and commitment to delivering quality content will help us achieve our goals of producing and distributing Disney-branded movies that entertain audiences worldwide.” – Hollywood Reporter

Other producing credits of Bailey’s include Matchstick Men and Gone Baby Gone.

Source: Hollywood Reporter

Joseph Gordon-Levitt and Zoe Deschanel in director Marc Webb's "500 Days of Summer," written by Scott Neustadler and Michael H. Weber

The Writer’s Guild of America has announced its nominees for the year’s  Best Original and Best Adapted Screenplays. The nominees for Best Original include the following:

500 Days of Summer (Scott Neustadler and Michael H. Weber), Avatar (James Cameron), The Hangover (Jon Lucas and Scott Moore), The Hurt Locker (Mark Boal), and A Serious Man (Joel and Ethan Coen).

The nominees for Best Adapted include the following:

Crazy Heart (Scott Cooper – based on novel by Thomas Cobb), Julie and Julia (Nora Ephron – based on separate books by Julie Powell and Julia Child), Precious (Geoffrey Fletcher – based on the novel Push by Sapphire), Star Trek (Roberto Orci and Alex Kurtzman – based on Star Trek as created by Gene Roddenberry), and Up in the Air (Jason Reitman and Sheldon Turner – based on novel by Walter Kirn).

Notable films that were not eligible for the WGA awards because they were not written under the guild’s jurisdiction were: District 9, Inglourious Basterds, The Road, A Single Man, and Up.

Source: Variety