Netflix and Relativity Media have made a deal that will allow the video-rental giant to stream up to 30 of the studio’s films during the “traditional pay-TV distribution window.” Netflix has deals with all major studios that allows them to stream online a certain amount of those studios’ films, however up until now only Disney and Sony were allowing the streaming of their movies during this period.

The deal will begin with only the 10-12 films that Relativity will release over the next year (their typical output) but Netflix will be able to max out at 30 over the next five years. Both companies have stated that they believe this deal will be the beginning of a different age of distribution, away from pay-TV channels.

“Our continued goal is to expand the breadth and timeliness of films and TV shows

Netflix's streaming rights continue to grow, which will possibly help smaller studios gain better exposure

available to stream on Netflix,” Netflix chief content officer Ted Sarandos said.

“We have always been about finding new ways to grow and monetize our business,” Relativity chief Ryan Kavanaugh said. “This clearly is a natural step in the evolution of the movie business and opens up a whole new world of revenue and marketing opportunities.”

Source: Hollywood Reporter

Quick Opinion: That Netflix is now making streaming deals with non-major Hollywood studios should be encouraging for those who are excited about the idea of “big” Hollywood not having as big a monopoly on exposure. With more streaming movies being from smaller (but not small) production and distribution studios the greater leverage they have in making distribution deals with those bigger companies. The more people see your films – and the more evidence you have that they do – gives you more creative authority because there is less reason to bend over backwards to appease a big distributor’s standards. One easy example to cite is how Disney doesn’t tell Pixar how to make their films, they simply get a cut of the profits for distribution. What this all could do is open up an opportunity for production studios like Relativity (Lionsgate, Focus Features, Rogue Pictures, etc.), who prefer to create movies for peripheral audiences.

Short Take: A fresh take on a tested concept

Directors: Mark and Jay Duplass (Baghead)

Screenwriters: Mark and Jay Duplass (Baghead)

Cast: John C. Reilly (Step Brothers), Jonah Hill (Get Him to the Greek), Marisa Tomei (The Wrestler), Catherine Keener (Where the Wild Things Are)

Length: 1h 32m

Synopsis: John (Reilly) is a divorced middle-aged man living by himself, currently hitting what he believes to be rock bottom. Through encouragement and arm twisting by his ex-wife Jamie (Keener) and her new husband John attends a party where he’ll supposedly have a golden opportunity to get back into the dating game after a 7 year hiatus. As it turns out, that’s exactly what happens. He clicks with a warm, fun-loving single mother named Molly (Tomei), whose 21 year old son Cyrus (Hill) still lives with her. Shortly after the dating begins John meets Cyrus face to face, and at first the two seem to get along swell. What John begins to realize, though, is that Cyrus is actually trying everything he can to sabotage his mother’s new relationship, and so John must try to foil Cyrus’ plans under the nose of the woman caught between them. Read the rest of this entry »

To commemorate the holiday which celebrates the United States’ independence we thought we’d list some quotes from some relevant movies. There have been quite a few films that have been made over the years that either directly or indirectly acknowledge this day of the year, and so hopefully you’ll fondly remember at least a couple that we mention. However you celebrate this national holiday, we at Movie-Thoughts hope you enjoy your festivities safely, and as always keep enjoying the movies!

Born on the Fourth of July -

Ron Kovic: This place is a fuckin’ slum!
Marvin: You want out of here, man? Fine. We take that leg of yours, and we can get you out of here in two weeks!
Ron Kovic: I want my leg.
Marvin: Why?
Ron Kovic: I want my leg!
Marvin: Why? You can’t feel it no how!
Ron Kovic: (incredulous and angry) It’s my leg! I want my leg, you understand? Can’t you understand that? All’s I’m sayin’ is that I want to be treated like a human being! I fought for my country! I am a Vietnam veteran! I fought for my country!
Patient: [off-camera] Shut the fuck up!
Ron Kovic: And I think that I deserve to be treated… decent!

Independence Day -

President Thomas Whitmore: I saw… its thoughts. I saw what they’re planning to do. They’re like locusts. They’re moving from planet to planet… their whole civilization. After they’ve consumed every natural resource they move on… and we’re next. Nuke ‘em. Let’s nuke the bastards.

President Thomas Whitmore: Good morning. In less than an hour, aircraft from here will join others from around the world. And you will be launching the largest aerial battle in the history of mankind. “Mankind.” That word should have new meaning for all of us today. We can’t be consumed by our petty differences anymore. We will be united in our common interests. Perhaps it’s fate that today is the Fourth of July, and you will once again be fighting for our freedom… Not from tyranny, oppression, or persecution… but from annihilation. We are fighting for our right to live. To exist. And should we win the day, the Fourth of July will no longer be known as an American holiday, but as the day the world declared in one voice: “We will not go quietly into the night!” We will not vanish without a fight! We’re going to live on! We’re going to survive! Today we celebrate our Independence Day!

Jaws -

Quint: Y’all know me. Know how I earn a livin’. I’ll catch this bird for you, but it ain’t gonna be easy. Bad fish. Not like going down the pond chasin’ bluegills and tommycods. This shark, swallow you whole. Little shakin’, little tenderizin’, an’ down you go. And we gotta do it quick, that’ll bring back your tourists, put all your businesses on a payin’ basis. But it’s not gonna be pleasant. I value my neck a lot more than three thousand bucks, chief. I’ll find him for three, but I’ll catch him, and kill him, for ten. But you’ve gotta make up your minds. If you want to stay alive, then ante up. If you want to play it cheap, be on welfare the whole winter. I don’t want no volunteers, I don’t want no mates, there’s just too many captains on this island. Ten thousand dollars for me by myself. For that you get the head, the tail, the whole damn thing.

Quint: [singing] Farewell and adieu to you fair Spanish ladies. Farewell and adieu to you ladies of Spain. For we’ve received orders for to sail back to Boston. And so never more shall we see you again.

Chief Brody: We’re gunna need a bigger boat.

Gettysburg -

General Robert E. Lee: We are never quite prepared for so many to die. Oh, we do expect the occasional empty chair. A salute to fallen comrades. But this war goes on and on and the men die and the price gets ever higher. We are prepared to loose some of us, but we are never prepared to loose all of us. And there is the great trap General. When you attack, you must hold nothing back. You must commit yourself totally. We are adrift here in a sea of blood and I want it to end. I want this to be the final battle.

Colonel Joshua Lawrence Chamberlain: Many of us volunteered to fight for the Union. Some came mainly because we were bored at home and this looked like it might be fun. Some came because we were ashamed not to. Many came because it was the right thing to do. … This is a different kind of army. If you look at history you’ll see men fight for pay, or women, or some other kind of loot. They fight for land, power, or because a king makes them, or just because they like killing. But we’re here for something new. This has not happened much, in the history of the world: We are an army out to set other men free. America should be free ground, all of it, from here to the Pacific Ocean. No man has to bow, no man born to royalty. Here we judge you by what you do, not by who your father was. Here you can be something. Here is the place to build a home. But it’s not the land. There’s always more land. It’s the idea that we all have value, you and me. What we’re fighting for, in the end… we’re fighting for each other.

Sergeant ‘Buster’ Kilrain: Colonel, you’re a lovely man. I see a great difference between us, yet I admire you. You’re an idealist, praise be. There’s many a man alive of no more value than a dead dog. What I’m fighting for is to prove I’m a better man than the others. There’s many a man worse than me, and some better. But I don’t think race or country matters a damn. What matters is justice. And that’s why I’m here. I’ll be treated as I deserve, not as my father deserved.

(All quotes courtesy of IMDb.com)

Short Take: Definitely the most interesting of the series thus far

Director: David Slade (30 Days of Night)

Screenwriter: Melissa Rosenberg (Twilight Saga, Step Up)

Cast: Kristen Stewart (Twilight Saga, The Runaways, Adventureland), Robert Pattinson (Twilight Saga, Remember Me), Taylor Lautner (Twilight Saga, Valentine’s Day)

Length: 2 hours 4 minutes

Synopsis: When last we left Bella Swan (Stewart) in New Moon, she was deciding between vampire boyfriend Edward Cullen (Pattinson) or werewolf and best friend Jacob Black (Lautner).  Bella spends much of Eclipse weighing her options.  On the one hand, she could spend eternity as a vampire with Edward, though that would mean giving up important human experiences like aging and having a normal family. Choosing Jacob would allow her life to continue unchanged, except that she would have to lose Edward.  On top of this love triangle an army of recently turned or “newborn” vampires is after Bella, and Jacob and Edward must put aside the rivalry between their warring families to protect her. Read the rest of this entry »

With Robert Rodriguez’s Predators (a remake of 1987’s Predator) opening very soon (July 9th) we here at Movie-Thoughts thought it would be appropriate to bring up the topic of remakes and reboots. A looming remake besides Predators that has had the attention of the movie world is 2012’s reboot of the grossly successful Spider-Man franchise. Why is this?

Many fans on the blogosphere have expressed some downright odious sentiments about the idea of rebooting a movie franchise as successful as Spider-Man, especially so soon after the original trilogy was completed (Spider-Man 3 came out in the summer of 2007). In case you need to play catch-up on the topic, here is the full press release from Sony Pictures about the new Spidey project: Read the rest of this entry »

Jonah Hill and John C. Reilly's "Cyrus" has been one of the recent indie successes

According to Pamela McClintock of Variety.com the “specialty sector”, or independent film market, has received a recent boost in box-office grosses thanks to releases like Mark and Jay Duplass’ Cyrus starring Jonah Hill, John C. Reilly, Marisa Tomei, and Catherine Keener, a documentary that follows the raising of several children from all over the world titled Babies, as we as several others.

President of Fox Searchlight Steve Gilula says that the recent (relative) success of these independent films are indicative that there “is life in the [indie] market, even as audiences are being more selective.” Some other examples of these films include City Island, Exit Through the Gift Shop, and The Girl with the Dragon Tattoo.

These indie successes hope to continue their theatrical and VOD runs, because as with any film the longer the run the more money they make. However, with word of mouth being the primary propellant of their runs such success is almost completely reliant on audience buzz, which is means these films’ futures are harder to predict than most.

One aspect that’s being tentatively attributed to these films’ financial achievements is how there are fewer large-market films being released during the Spring and early Summer months. Also consider the recent Warner Bros. flop Jonah Hex, for example, and it can be said that independent films have had less competition than usual.

The momentum that the “specialty sector” is building right now will be important for the current releases in creating Oscar buzz come Fall and Winter, as well as help later indie releases like Bill Murray and Robert Duvall’s Get Low, which will open July 30th, to do the same by holding the attention of audiences who may become distracted by bigger films such as Inception, Predators, Twilight: Eclipse, Salt, The Sorcerer’s Apprentice, and Tron.

Source: Variety

Is our judgment of a work of art based solely upon whether or not it delights us in some way?

De gustibus non disputandum (There can be no disputing over matters of taste). – Latin dictum

When it comes to art in general people have been trying for thousands of years (basically since the time of Aristotle) to make heads or tails of why people think the way they do. Are there certain innate likes and dislikes that are embedded in every person, and if so then how can we explain the occasional anomaly? If each person’s taste in art, whether it be concerning architecture, sculpture, paintings, or movies, is unique, how can any consensuses be made about anything? Could such consensuses, if they happen, be considered happenstance or indicative of that certain work’s true value? Should we base our likes and dislikes of works of art on whether or not we apply personal value to them? Are there consistencies and/or patterns that can be discovered in the ways each person applies value to various works of art? Read the rest of this entry »

Short Take: Pretty solid all around, though Cruise' playful attitude towards the material makes the film

Director: James Mangold (3:10 to Yuma, Walk the Line)

Screenwriter: Patrick O’Neill (Début Film)

Cast: Tom Cruise (Tropic Thunder, Mission Impossible III), Cameron Diaz (Shrek Forever After, My Sister’s Keeper), Peter Sarsgaard (Orphan, An Education) Paul Dano (Taking Woodstock, There Will Be Blood)

Length: 1 hour 50 minutes

Synopsis: June Havens (Diaz) meets Roy Miller (Cruise), seemingly by accident, when they bump into each other at the airport.  June and Roy end up on the same flight and start a casual flirtation.  Things take a turn for the dangerous when Roy kills everyone else on the near-empty flight explaining that he’s a CIA agent on the lam because he stole a valuable new invention called the Zephyr.  June’s involvement with Roy puts her in danger and he insists that she must trust him in order to survive.  However, everything from Roy’s unpredictable behavior to the appearance of FBI Agent Fitzgerald (Sarsgaard) leads June to question Roy’s sincerity.  As June and Roy encounter ever more dangerous scenarios, she must decide whether Roy is endangering her life or protecting it. Read the rest of this entry »

Hogwarts Castle is no longer something of fiction. You can now visit it!

The brand new Orlando amusement park – which reportedly cost $265 million to build – based off of the Harry Potter books and movies has opened to rave reviews from Potter fans around the globe. A fully immersive park all on its own, though technically attached to the Universal Studios park, The Wizarding World of Harry Potter contains rides, restaurants, and enough site-seeing to make you believe you’re actually in the stories. You can hear Moaning Myrtle in the restrooms, visit Dumbledore’s office, drink pumpkin juice and butterbeer (the recipes of which were approved by J.K. Rowling), and see a quidditch match. You can even visit gift shops where if you’re looking to pick out a wand, a wand will pick you!

Let Daniel Radcliffe and MTV take you on a tour of the park here.

Watch a video documenting the grand opening of the park here.

The Gainesville Sun, of Gainesville FL, published in today’s paper their list of the Top 10 features of the new park. Here is a sampling of what they had to say (we wont spoil the rankings).

“Hogwarts: Trademark castle houses the new Harry Potter and the Forbidden Journey ride and an elaborate queue with tons of detailing. Watch for the Mirror of Erised, Dumbledore’s office, living portraits, mandrakes, the Dark Arts classroom, levitating candles and more, all before taking off on the ride’s ‘enchanted benches.’ “

“Live entertainment: Expect regular performances by the Frog Chorus (an a cappella quartet plus two amphibians) as well as physical demonstrations by the contrasting styles of Beauxbatons Academy of Magic (dancing with ribbons) and Durmstrung Institute (very serious acrobatics and weaponry).”

For fans of Harry Potter it appears that The Wizarding World is just as wonderful as you could have hoped. Elements from both the books and the movies can be found, which bring to life one of the most successful entertainment franchises in history. If any of you readers out there get a chance to visit the park, drop us a line and tell us about your trip. We’d love to hear all about your experiences!

The Wizarding World's Grand Opening on June 18th

Interesting Factoid: The mayor of London, Boris Johnson, has publicly expressed his displeasure about the fact that the Harry Potter park was built in the United States as opposed to England.

“I want to know why this Kingdom of Potter is not being built in the UK, and I won’t be fobbed off with any nonsense about the weather. They built Eurodisney in the Valley of the Marne, where it is at least as cold and drizzly as it is in London – and it has been a triumphant success”

I suppose it’s understandable that a number of Brits would have preferred the park be built in England because the character of Harry Potter is such a huge British icon, but calling Eurodisney a “triumphant success” just makes you sound crazy. The climate was no doubt a very big factor in the decision to build the park in Florida – a state which houses the most financially successful and well-attended amusement parks in the world. The Wizarding World in London would have made logical sense yes, but let’s be reasonable.

Writer/Director M. Night Shyamalan

The Hollywood Reporter has announced that writer/director M. Night Shyamalan has been shopping a new script around Hollywood, and that there might already be a cast for it.

Bruce Willis, Gwyneth Paltrow, and Bradley Cooper’s names have been “loosely tied” to the project. If Willis officially signs on, it will be the third time he and the director will have worked together (The Sixth Sense – 1999, Unbreakable – 2000). No details about the story are yet known, as it is being kept secret from anyone outside executive offices.

Source: Hollywood Reporter

Quick Opinion: Shyamalan’s previous three films (The Village, Lady in the Water, The Happening) each endured their share of critical beat downs – particularly Lady in the Water and The Happening - and so the once-acclaimed director is certainly hoping that this summer’s The Last Airbender (July 1st) will bring him out of his slump. If nothing else, he surely hopes that the film proves commercially successful so that he can use that momentum to get this newest project green-lighted. If he can prove to studios that he’s still capable of putting butts in the seats it would go a long way towards salvaging his career – or at least his career as a director. Even with his worst films he has proven that he can come up with original and interesting concepts, so if he’s ever relegated to being just a writer then whatever he writes can be possibly improved upon through collaboration with other directors and writers. And if this were to happen Shyamalan should count his blessings because there are far worse fates in the movie industry.