Posts Tagged ‘bravery’

Short Take: A harrowing story that’s emotional but not sappy. Distinctly Spielbergian.

Director: Steven Spielberg

Screenwriters: Lee Hall and Richard Curtis; Michael Morpurgo (novel)

Cast: Jeremy Irvine, Emily Watson, Peter Mullen, Niels Arestrup, David Thewlis, Tom Hiddleston

Length: 2h 26m

Synopsis: It is the era of World War I. The horse of a poor farmer boy (Irvine), named Joey, is sold to the English cavalry so that his family can pay the debt on their farm. Distraught, the boy offers to enlist in the army but is too young. From then on the horse changes hands from a Captain (Hiddleston), to a grandfather (Arestrup) and his granddaughter (Celine Buckens), and a handful of others. All who find themselves in charge of the horse fall in love with it. In having so many different owners Joey ends up traveling far from his original home, and although he has affections for some of his new owners he ultimately seeks to return to the poor farmer boy who raised him. In the end, as property of the German army, Joey risks everything in a desperate charge towards English forces in the hope that he can finally find his way home. Like the soldiers who surround him, Joey demonstrates the kind of bravery that few look to prove they have. But will it be enough?

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Short Take: Though it bares no relation, it has a chance to be as memorable and cherished as "Fried Green Tomatoes"

Director: Tate Taylor

Screenwriter: Tate Taylor, Kathryn Stockett (novel)

Cast: Viola Davis, Emma Stone, Bryce Dallas Howard, Octavia Spencer, Jessica Chastain, Allison Janney, Sissy Spacek

Length: 2h 17m

Synopsis: Rural Mississippi in the 1960s, before the civil rights movement gained much momentum, was a cesspool of racism and bigotry. In the town of Jackson, where every upper-middle class housewife hires the services of a negro maid to cook, clean, and raise her children, recent college grad Skeeter (Stone) decides to collect testimonies from the maids of her friends and neighbors. Looking to reveal the level of hardship these women go through on a daily basis, Skeeter’s project commences with the testament of a maid named Aibileen (Davis) who works for her friend Hilly (Howard). As the stories get darker Skeeter can’t help but become more involved, and before she knows it her sympathies for negroes ostracizes her. She and the women she interviews, with tensions growing throughout the town, grow increasingly disconcerted, but despite the dangerous risks they take they must believe that their collaboration is for a higher purpose. When fortune smiles and Skeeter’s work is published as a compilation of anonymous depositions a palpable sense of relief can be felt, as though the gravity of what they accomplished had drastically changed their world in an instant. However, the reality is that what they had done had not yet changed their world as they had hoped, but it did begin to change. And in a town where progress hadn’t been seen in ages, to see it again at all is enough to provide hope that they might get to see even more of it.

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