Posts Tagged ‘horror’

Short Take: An all around solid effort on a cool premise, but couldn't reach the point of excellence it was trying to

Director: Gonzalo López-Gallego

Screenwriter: Brian Miller

Cast: Warren Christie, Ryan Robbins, Lloyd Owen

Length: 1h 17m

Synopsis: In 1973 astronauts Ben Anderson (Christie), John Grey (Robbins), and Nathan Walker (Owen) are asked to lead the originally canceled Apollo 18 lunar expedition in order to place missile-detecting equipment on the moon in defense against the Soviet Union. Unlike the other Apollo missions, however, this one is Top Secret. Not even the astronauts’ families know where they’re going, but what’s worse is that they never return. Fast-forward to present day: 84 hours of video footage which captured what went on during the mission somehow made its way onto the internet, and the film we see is a spliced together version of all of it all. The fate of the astronauts, we see, was a horrifying one. Aside from finding themselves stranded, they faced creatures that give new meaning to the term extra-terrestrial. For those wondering why we haven’t been back to the moon, Apollo 18 provides the answer.

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Short Take: Not without intrigue, but flawed in its invention

Director: Matthijs van Heijningen Jr.

Screenwriter: Eric Heisserer; John W. Campbell Jr. (Who Goes There? novella)

Cast: Mary Elizabeth Winstead, Joel Edgerton, Eric Christian Olseen, Ulrich Thomsen

Length: 1h 43m

Synopsis: The following story takes place shortly before the events of John Carpenter’s 1982 film of the same title. A great scientific discovery has just been made in the wastelands of Antarctica, and top experts of various kinds are being assembled to research and document it. Paleontologists Kate (Winstead) and Adam (Olseen) are recruited by the venture’s director Dr. Halvorson (Thomsen), but exactly what their tasks will be remains a mystery to them until they’re shown what their dealing with. What the inexplicably curious discovery turns out to be is the remains of a giant alien spacecraft and a frozen specimen suspended in ancient ice. That specimen, they regret to find, is not as inanimate as one would assume. Incredibly, there is still cellular activity, and each cell is capable of imitating any foreign cell it comes into contact with. Before long the abstraction is able to, after killing them, perfectly impersonate whole people. Kate, Adam, and the rest must determine which of their fellow researchers are things, and fight to make sure they don’t reach civilization to infect the rest of the world. With so dangerous and cunning a species, this is far easier said than done.

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Short Take: Has the best combination of humor and horror since "Drag Me to Hell"

Director: Craig Gillespie

Screenwriters: Marti Noxon, Tom Holland

Cast: Anton Yelchin, Colin Farrell, David Tennant, Imogen Poots, Christopher Mintz-Plasse, Toni Collette

Length: 1h 46m

Synopsis: Charley (Yelchin) is a normal teenage boy whose suburban town has recently welcomed a new neighbor named Jerry (Farrell), who Charley’s friend Ed (Mintz-Plasse) is convinced is a real-life vampire. Ed tries his hardest to convince Charley of this truth, but the absurdity of the accusation is just too great. Soon after pleading for assistance in killing the preternatural being Ed goes missing, and with little hints here and there Charley cannot help but come to the incredible conclusion that his missing friend was right. Unsure of what to do he consults a Las Vegas stage celebrity named Peter Vincent (Tennant), whose forte is the magical and the gothic. Vincent, it turns out, has long since been obsessed with vampires, and so he agrees to help Charley in his dangerous mission to rid his quiet town of the undead predator who threatens to feed on everyone he cares for. Jerry’s cunning and resilience are not to be underestimated, however, which makes Charley’s and Vincent’s task all the more dangerous.

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Short Take: Contains satisfyingly creative deaths, and nothing else

Director: Steven Quale

Screenwriter: Eric Heisserer

Cast: Nicholas D’Agosto, Emma Bell, Miles Fisher, Jacqueline MacInnes Wood, David Koechner, Tony Todd

Length: 1h 32m

Synopsis: Sam (D’Agosto) is an office worker who in his free time is trying to pursue his passion for the culinary arts and win back his ex-girlfriend Molly (Bell), who is also an office coworker. The two join some fellow coworkers and their slimy boss Dennis (Koechner) on a bus to an office retreat, but while in route they narrowly survive a terrible bridge collapse that, were it not for Sam’s advisement to abruptly leave, would have caused their untimely and gruesome demises. The days following this divine intervention, however, prove to be no less perilous. One by one each survivor meets a grisly, macabre fate, leading the remaining few to assume that Death has intentions of correcting his oversights at any given moment.

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Movies that genuinely horrify are few and far between, and many feel it's been too long since the last one. It would appear American horror faces yet another threshold.

In order for a horror film to be affecting it must accomplish an array of feats that manipulate its audience in a way that steers it toward a desired end, which is usually one of disenfranchisement, disgust, dismay, or paranoia. But one key element to effective horror that goes largely unmentioned is the importance of pity. When a horror film does not take seriously this pivotal aspect, or neglects it altogether, what usually results is a campy flick that allows, if not promotes an audience to react with disinterest or laughter instead of shock, terror, or other sorts of psychological distress. In order to properly convey the importance of a scary movie’s ability to make an audience pity we must first examine precisely what pity is and how it works to assist a movie’s efforts to jar its viewers. From doing this we can hopefully discover the major faults of modern American horror, and see what needs to be done to revive it.

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Short Take: The best since the orginal. Genuinely clever.

Director: Wes Craven

Screenwriters: Kevin Williamson

Cast: Neve Campbell, David Arquette, Courteney Cox, Emma Roberts, Hayden Panettiere, Alison Brie, Marley Shelton, Rory Culkin, Adam Brody, Anthony Anderson, Kristen Bell, Anna Paquin

Length: 1h 51m

Synopsis: The town of Woodsboro is under attack again. Sidney Prescott (Campbell) is revisiting her roots on her tour to promote her new self-help book about overcoming past tragedies, but it seems that tragedy just won’t leave her alone. A new ghost face killer has begun to replay all of the murders from the first Scream film, with Sidney’s teenage cousin Jill (Roberts) taking her “role.” Deputy Dewey is now Sheriff Dewey, who is married to Gale Weathers, who is trying to regain relevancy by writing a book about the investigation of the current murders. Details eventually arise that suggest the killer has motives that run deeper than just copycatting the crimes that started it all. But who could it possibly be this time?

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Short Take: Aronofsky does it again

Director: Darren Aronofsky

Screenwriters: Mark Heyman, Andres Heinz, John J. McLaughlin

Cast: Natalie Portman, Mila Kunis, Vincent Cassel, Winona Ryder, Barbara Hershey

Length: 1h 48m

Synopsis: Nina Sayers (Portman) is a young and promising ballerina trying her best to earn her big break. The company she works for has decided to open its new season of performances with a new rendition of Swan Lake, which will be a version unlike most others because director Thomas Leroy (Cassel) wants the same dancer to play both the white and black swan. After dealing with much stress Nina is cast in this once-in-a-life-time role, but that stress only builds on itself more and more the closer she gets to opening night. Fellow ballerina Lily (Kunis) befriends Nina during this time, but Nina suspects she has ulterior motives. And if that weren’t enough, Nina’s mother gradually overwhelms her with even more pressure to succeed. Drowning in anxiety Nina’s real challenge isn’t performing in the ballet but surviving long enough to do so.

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Short Take: Beyond its obvious faults it delivers exactly what it advtertises, and then some

Director: Alexandre Aja (High Tension, The Hills Have Eyes (2006))

Screenwriters: Pete Goldfinger and Josh Stolberg (Sorority Row)

Cast: Elizabeth Shue (Hamlet 2), Christopher Lloyd (Camp Nowhere), Ving Rhames (Surrogates), Jerry O’Connell (Obsessed), Adam Scott (TV’s Party Down)

Length: 1h 30m

Synopsis: After a subterranean tremor causes a rift that conjoins a mysterious underwater lake with the aboveground Lake Victoria community, a prehistoric predator proceeds to roam free and eat at will. That predator is the very first breed of Piranha, which are thousands strong and eager to feed on fresh meat. It just so happens that these ferocious fish escape during Spring Break, when every virile teenager and college student within fifty miles is congregating to drink, fornicate, and unknowingly serve themselves up as dinner. Gratuitous nudity and violence ensues on a level not seen in American theaters in some time. Read the rest of this entry »

Robin Wood famously articulated the American horror film, but one thing still needs to be added

While rereading Robin Wood’s essay An Introduction to the American Horror Film I noticed that it failed to talk about an important element in the discussion of what exactly describes an American horror film. The absence of this topic in his subsection titled “Basic Formula” surprises me now, as it is arguably just as simple a provision to the genre as the overarching blueprint stipulating that “normality is threatened by the Monster.” While Wood’s essay has long since been considered a seminal one for both him and academic thought about the horror genre, and this is very true, an amendment should nevertheless be made. That amendment is specific but not intricate, dealing with the main protagonist’s direct relationship with the antagonist.

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Short Take: Intriguing, with unsettling cautionary messages

Director: Vincenzo Natali (Cube)

Screenwriter: Vincenzo Natali (Cube), Antionette Terry Bryant, Doug Taylor (They Wait)

Cast: Adrien Brody (King King), Sarah Polley (Dawn of the Dead), Delphine Chaneac

Length: 1h 44m

Synopsis: Elsa (Polley) and Clive (Brody) are a couple who are top-notch geneticists trying to splice the correct combination of DNA strands that will create an organism that produces certain kinds of proteins that can be used to help fight any number of diseases. After enjoying much success with their latest experiments (unique male and female organisms that have the capacity to mate) they are brought down to earth with the news that their company will go bankrupt unless there is a more significant breakthrough sometime soon. Elsa convinces Clive to break the law and try experimenting with human/animal splicing in order to have the resulting organism’s proteins be more readily usable, but from the get-go things don’t go quite as planned. The new organism begins growing like a child, but the older it gets the more dangerous it becomes until eventually the two scientists are forced to fight for their lives.

Warning: This review contains information that might be considered spoiling Read the rest of this entry »