Posts Tagged ‘horror’

Robin Wood famously articulated the American horror film, but one thing still needs to be added

While rereading Robin Wood’s essay An Introduction to the American Horror Film I noticed that it failed to talk about an important element in the discussion of what exactly describes an American horror film. The absence of this topic in his subsection titled “Basic Formula” surprises me now, as it is arguably just as simple a provision to the genre as the overarching blueprint stipulating that “normality is threatened by the Monster.” While Wood’s essay has long since been considered a seminal one for both him and academic thought about the horror genre, and this is very true, an amendment should nevertheless be made. That amendment is specific but not intricate, dealing with the main protagonist’s direct relationship with the antagonist.

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Short Take: Intriguing, with unsettling cautionary messages

Director: Vincenzo Natali (Cube)

Screenwriter: Vincenzo Natali (Cube), Antionette Terry Bryant, Doug Taylor (They Wait)

Cast: Adrien Brody (King King), Sarah Polley (Dawn of the Dead), Delphine Chaneac

Length: 1h 44m

Synopsis: Elsa (Polley) and Clive (Brody) are a couple who are top-notch geneticists trying to splice the correct combination of DNA strands that will create an organism that produces certain kinds of proteins that can be used to help fight any number of diseases. After enjoying much success with their latest experiments (unique male and female organisms that have the capacity to mate) they are brought down to earth with the news that their company will go bankrupt unless there is a more significant breakthrough sometime soon. Elsa convinces Clive to break the law and try experimenting with human/animal splicing in order to have the resulting organism’s proteins be more readily usable, but from the get-go things don’t go quite as planned. The new organism begins growing like a child, but the older it gets the more dangerous it becomes until eventually the two scientists are forced to fight for their lives.

Warning: This review contains information that might be considered spoiling Read the rest of this entry »

Legendary director/writer George A. Romero

For those of you who are into filmmaking, or are even in the filmmaking business, the latest edition of MovieMaker magazine (issue 86, vol. 17) contains a bit of information that should be fairly useful. That information is advice given by legendary horror director George A. Romero that comes from lessons he has learned over a 40 year career. The relevance of his words come from him recently releasing his newest film Survival of the Dead, which you can view via pay-per-view and video on demand, as well as at theaters in select cities.

His advice is split up into 10 tips that are applicable to anyone who is or is looking to be a director of movies. Here is a taste.

1. SHOW, DON’T TELL – “First drafts of my earliest screenplays always came in at 300-plus pages. I used to think that a thought unwritten was a thought lost. I learned that new and better thoughts come once you’ve had a chance to think about what you’ve written and then – rewrite. My producing partner, a wonderful editor, taught me that thoughts on the page should be precise and well contemplated, or they wind up wasting time and money.”

3. KNOW AS MUCH AS YOU CAN ABOUT EVERY CREW MEMBER’S SPECIALTY – “You will better appreciate a good job, and you won’t be ripped off by a DP [director of photography] who requisitions an outrageously expensive equipment package.”

9. COLLABORATE, DON’T DICTATE – Every department head has something to offer. Listen and gratefully accept their offerings. They’re moviemakers, too.”

For the full list of Romero’s tips, click here.

Short Take: What's different shouldn't be different, and what's familiar should have been original. An overall wasted opportunity.

Director: Samuel Bayer (feature debut)

Screenwriters: Wesley Strick (Wolf, Doom), Eric Heisserer

Cast: Jackie Earle Haley (Watchmen, Little Children), Kyle Gallner (Jennifer’s Body), Rooney Mara (Youth in Revolt), Katie Cassidy (Black Christmas (2006))

Length: 1h 35m

Synopsis: In an unsuspecting suburban town various teens begin to experience frightening nightmares that are dangerously real. And in those nightmares they all come across the same evil man named Fred Krueger who continually tries to viciously murder them. Some teens fall victim to his assaults, the rest try to find a way to stop him – and keep from falling asleep. Pieces of the puzzle begin to fit together, which lead the surviving few to a final confrontation with their supernatural terror. To come out on top, they’ll have to literally fight their fears. Read the rest of this entry »

Freddy's back April 30th

ShockTillYouDrop.com published their findings of when they visited the set of the new Nightmare on Elm Street remake. The film is meant to reboot what had become a tired franchise, which was launched with Wes Craven’s career-defining 1984 film of the same title. Michael Bay’s Platinum Dunes production studio is the creative entity behind the movie, which also helped create The Texas Chainsaw Massacre remake back in 2003 as well as the recent Friday the 13th remake.

The set visit documents various aspects of the new film, from the look of the actors, the attitude of the creative minds behind the project, and the differences between this picture and its original. One feature of the film that its director Samuel Bayer stresses was how it’s trying to be legitimately scary, not “fun horror” like the remake of Friday the 13th.

The article includes many quotes from director Bayer and producer Bradley Fuller, which do well to explain exactly what their aims are with this film. According to the article, Bayer was pursued feverishly by Platinum Dunes and Newline Cinema because of his knack for being a visual storyteller (almost all of his credits are for directing numerous music videos). As Spike Jonze has proven (Where the Wild Things Are, Adaptation, Being John Malkovich), a background in directing music videos is not a bad one.

The article overall proves very revealing – so much so that if you’re not one for spoilers then you might want to avoid it. Likewise, if you can’t get enough information about this remake (which opens April 30th) then you’ll want to check it out ASAP.

Also See…

ComingSoon.net interviews Johnny Depp about his role as the Mad Hatter in Tim Burton’s Alice in Wonderland, as well as some other upcoming roles. The film opens March 5th.

Short Take: The buzz is true - scariest movie in years

Director: Oren Peli (debut)

Screenwriter: Oren Peli

Cast: Katie Featherston, Micah Sloat, Mark Fredrichs, Amber Armstrong

Length: 1h 26m

Synopsis: In 2006 a young couple living in San Diego begins experiencing strange happenings in their home for no apparent reason. The girl (Katie) claims to have endured the stalking of some strange ghost-like figure since she was a child, and it has haunted her periodically no matter where she lived. Her long-term boyfriend Micah decides to begin videotaping as much as he can to try and capture these hauntings as evidence, and what gets recorded truly shocks them. Read the rest of this entry »

Cliff:

Answering this question is not as easy as it might seem. For starters, I would like to make clear that I am a supporter of torture films (or what many people incorrectly call “torture porn”) as a subgenre of horror cinema, for reasons that can be best understood by reading my essay on the topic. In short, however, I would claim that torture films can be considered artistic, and thus if a torture film’s artistic merit can be defended then it is justifiable insofar that it is a valid cultural artifact. Not all torture films can be sufficiently defended, but the possibility is there nonetheless. Read the rest of this entry »

Short Take: It's exactly what you'd want it to be.

Director: Robert Fleischer

Screenwriters: Rhett Reese and Paul Wernick

Cast: Woody Harrelson, Jesse Eisenberg (Adventureland), Emma Stone (The Rocker, Superbad), Abigail Breslin (Little Miss Sunshine)

Length: 1h 20m

Synopsis: The world as we once knew it is over. The vast majority of people on earth have become zombies, leaving a remaining select few to wander about trying to survive. A teenage boy – referred to by his home town, Columbus, Ohio (Eisenberg) – gets picked up by a zombie-killing professional (Tallahassee) and the two destine to travel west across the U.S. in search of a zombie-free locale. On their way they encounter two girl con artists named Wichita (Stone) and Little Rock (Breslin), and the two pairs henceforth oscillate between being trusting and distrusting of each other as they travel together. Zombies, as the common enemy, might prove to be the only thing the four have in common. Read the rest of this entry »