Posts Tagged ‘Inglourious Basterds’

The Coen Brothers are likely to earn another writing Oscar for their film "A Serious Man," but have stiff competition with Tarantino's "Inglourious Basterds" and Mark Boal's "The Hurt Locker"

Continuing our breakdown of the major categories for this year’s 82nd annual Academy Awards, here is our analysis of the nominees eligible to receive the Oscar for Best Original Screenplay.

Also See: Best Supporting Actor, Best Leading Actor, Best Supporting Actress

Best Original Screenplay

The Golden Globes are often a useful bellwether, but since the Hollywood Foreign Press doesn’t separate Original and Adapted Screenplays, Up in the Air’s win there only suggests the outcome of the Adapted Screenplay category at the Oscars.  Quentin Tarantino won the Critic’s Choice for his screenplay for Inglourious Basterds so he has a good chance of winning.  However, Joel Coen and Ethan Coen, who have two previous screenplay Oscars for No Country for Old Men and Fargo, have just as strong a chance for A Serious Man.  Moreover, they won with the National Board of Review and the National Society of Film Critics so they may edge out Tarantino for the win.  Mark Boal’s powerful screenplay for The Hurt Locker could pull a surprise win since it beat the Coens at the Writers Guild and the winners there typically win the Oscar as well.  Less likely would be a win for Up which, though emotionally touching, may not be able to compete with the more serious fare offered by the other screenplays.  The least likely winner would be Oren Moverman and Alessandro Camon’s screenplay for The Messenger, which, though powerful, is the nominee that has received the least nominations from other prestigious bodies. Read the rest of this entry »

Christopher Plummer is this year's frontrunner for the Best Supporting Actor Oscar.

Continuing our Countdown to The Oscars, we are pleased to present our analysis of the Best Supporting Actor category. Like with this column’s previous entries, we examine each nominee’s chances for earning the esteemed Academy Award so that you the reader will have an idea of what to expect come time for the ceremony on March 7th. We here at Movie-Thoughts like to spur debate, so let us know what you think! Tell us if you agree, disagree, and why. In the end, it’s all for fun anyways, right?

Also see: Best Supporting Actress, Best Actor

Best Supporting Actor

We find that this year Christopher Plummer is the most likely to win because of the combination of his age/long tenure as an actor, the quality of his performance, the weight of his performance, the novelty that this is his first Oscar nomination, and the fact that the only thing he has decreasing his odds are the strong suites of the other nominees. Meanwhile, all the other candidates have various issues that could anchor their dreams of delivering a teary-eyed acceptance speech. Critical and/or press momentum haven’t been playing much of a role with this particular category, with the exception that The Lovely Bones (for which Stanley Tucci is nominated) is the only film relevant to this category that has received overwhelmingly negative reviews. With all of this said, let’s get to it! Read the rest of this entry »

With "500 Days of Summer" (above) and "The Hangover" both being critically acclaimed comedies, which film received the bigger Oscar snub?

A recent Variety article by Glenn Whipp takes a (very) light jab at the Academy of Motion Picture Arts and Sciences by pointing out, as many have done, that comedies have yet again stayed out of the Oscars’ list of Best Picture nominations. Two pics he mentions specifically are 500 Days of Summer and The Hangover. The latter made the American Film Institute’s Top 10 of the year, and the former even made the Movie-Thoughts Top 10. Both films were critically acclaimed, with The Hangover earning 78% on RottenTomatoes.com and 500 Days of Summer earning 86%.

Whipp notes in his article that it is not the concept of comedy that the Academy has excluded, being that A Serious Man has black comedy, Up in the Air has spurts of humor, Up is debatably an action/comedy, and Inglourious Basterds is peppered with tongue-in-cheek fantasy.

So what’s keeping The Hangover away? Crudeness is no doubt the answer, but that’s only an explanation for its brand of humor. In other matters that the Academy judges, which include artistic quality and technical prowess, the film can be said to fall short. The topic of human interest (which couldn’t be a broader label) is another favorite of the voters, so if Judd Apatow’s 40 Year Old Virgin didn’t have a chance, then certainly The Hangover wouldn’t. But what about 500 Days of Summer? A smart, funny film about how to get over what you thought was a great relationship surely satisfies the Academy’s criteria, right? Apparently not. We are left to only guess, which is really all we can do.

This all begs the question of, if we were to consider these two films’ omission by the Academy a snub, which was the bigger snub? Leave your vote in the comments section of this post or via this site’s Contact page. Tell the world what you think!