Posts Tagged ‘Julie and Julia’

Countdown to The Oscars

It's neck and neck between Sandra Bullock and Helen Mirren for the Best Leading Actress Oscar, but Bullock holds the slightest lead thanks to wins at the

It's neck and neck between Sandra Bullock and Helen Mirren for the Best Leading Actress Oscar, but Bullock slightly leads thanks to awards by Critic's Choice, Golden Globes, and SAG

It’s almost time! Going through the final few categories will hopefully help you get in the mood for tomorrow night’s festivities, which are sure to be as exciting as ever. Enjoy our newest analysis!

Also See: Best Supporting Actress, Best Supporting Actor, Best Leading Actor, Best Original Screenplay

Best Actress in a Leading Role

This year’s Best Leading Actress pool is filled to the brim with deserving talent and performances, arguably more so than usual. What isn’t unusual is that it’s a tight race for who is actually going to win the gold statuette. The competition is stiff, but it would appear that the two leaders are Sandra Bullock and Helen Mirren, followed closely by Meryl Streep. Bringing up the rear is, of course, the younger two of the nominees, Carey Mulligan and Gabourey Sidibe, respectfully. Helen Mirren’s performance is said to be the most powerful, however Bullock has earned the majority of the Leading Actress awards leading up to the Academy Awards. Read the rest of this entry »

WGA Anounces Screenwriting Award Nominees

Joseph Gorden-Levitt and Zoe Dechanel in "500 Days of Summer"

Joseph Gordon-Levitt and Zoe Deschanel in director Marc Webb's "500 Days of Summer," written by Scott Neustadler and Michael H. Weber

The Writer’s Guild of America has announced its nominees for the year’s  Best Original and Best Adapted Screenplays. The nominees for Best Original include the following:

500 Days of Summer (Scott Neustadler and Michael H. Weber), Avatar (James Cameron), The Hangover (Jon Lucas and Scott Moore), The Hurt Locker (Mark Boal), and A Serious Man (Joel and Ethan Coen).

The nominees for Best Adapted include the following:

Crazy Heart (Scott Cooper – based on novel by Thomas Cobb), Julie and Julia (Nora Ephron – based on separate books by Julie Powell and Julia Child), Precious (Geoffrey Fletcher – based on the novel Push by Sapphire), Star Trek (Roberto Orci and Alex Kurtzman – based on Star Trek as created by Gene Roddenberry), and Up in the Air (Jason Reitman and Sheldon Turner – based on novel by Walter Kirn).

Notable films that were not eligible for the WGA awards because they were not written under the guild’s jurisdiction were: District 9, Inglourious Basterds, The Road, A Single Man, and Up.

Source: Variety

Does Short List of Best Actress Hopefuls Mean Favoritism for Men?

Maryl Streep as Julia Child in "Julie and Julia"

Maryl Streep as Julia Child in "Julie and Julia"

An article on HollywoodReporter.com, written by Steven Zeitchik, talks about how up to this point in time in the Oscar race very few actresses have made much of an impression. Maryl Streep will likely be nominated (yet again) for her role as Julia Child in Julie and Julia, and Zeitchik claims that only two other leading actresses (Carey Mulligan and Gabourey Sidibe for An Education and Precious) have a shot at taking home the gold statuette.

One possible reason that Zeitchik postulates deals with the kinds of roles available for women in mainstream Hollywood. Independent films (such as An Education and Precious) offer many more dynamic, “serious” leading roles for women than Hollywood does (the reasons for which are up for speculation), but being in an independent flick doesn’t downgrade one’s performance in the eyes of the award voters. The Academy is not averse to giving the Best Leading Actress award to a “new face,” so-to-speak (ex. Jennifer Hudson, Marion Cotillard, etc.). Zeitchik later argues that unless you’re the likes of Angelina Jolie or Hillary Swank it’s hard for a woman to land a “serious” part in mainstream Hollywood. So shallow is the Oscar nomination pool for leading actresses, Zeitchik says, that Sandra Bullock is getting award buzz (for her role in The Blind Side).

Those who don’t think much of this year’s lack of standout performances by leading actresses chalk the issue up to the cyclical nature of each category, while some others speculate that it relates to bigger (supposed) issues like Hollywood making less award-worthy films. Zeitchik attempts to debunk such a speculation by noting that the Best Leading Actor category is overflowing with quality nomination possibilities (ex. George Clooney, Colin Firth, Jeff Bridges, Jeremy Renner, etc.).

You can read the full article here, which includes other related topics such as the possibility for three women to be nominated for Best Director, which is an unprecedented feat.

Quick Opinion: I can’t be certain that the number of quality leading roles for women in Hollywood is going down, if for no other reason than because it’s a more complex issue than one might think at first. Sure, maybe this year’s crop isn’t all that extensive, but last year saw 5 great actresses in the nomination pool, which led to hugely diverse speculation before the awards show about who was going to win. And being that Hollywood is still a big supporter of patriarchal ideology (for better or worse), there is and probably always will be plenty of quality leading roles available for men. Who’s to say, though, that there simply aren’t a lot of good scripts with great leading roles for women making the rounds around Hollywood? Script ‘X’ may have a dynamite female lead character, but if its overall story stinks then it doesn’t matter. Studios don’t typically buy works-in-progress. In any case, why would they take a chance on a lousy script just to satisfy a male/female ratio of leading roles? I’m all for equal representation of the sexes in the arts, but the film industry is a business (the biggest financial risk-takers being Hollywood studios) and if it were to adopt some brand of affirmative action to assure such equality I would speculate that the industry would suffer both financially and artistically. Simply put, you can’t tell an industry dealing in creativity what to create.

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