Posts Tagged ‘Precious’

It's neck and neck between Sandra Bullock and Helen Mirren for the Best Leading Actress Oscar, but Bullock slightly leads thanks to awards by Critic's Choice, Golden Globes, and SAG

It’s almost time! Going through the final few categories will hopefully help you get in the mood for tomorrow night’s festivities, which are sure to be as exciting as ever. Enjoy our newest analysis!

Also See: Best Supporting Actress, Best Supporting Actor, Best Leading Actor, Best Original Screenplay

Best Actress in a Leading Role

This year’s Best Leading Actress pool is filled to the brim with deserving talent and performances, arguably more so than usual. What isn’t unusual is that it’s a tight race for who is actually going to win the gold statuette. The competition is stiff, but it would appear that the two leaders are Sandra Bullock and Helen Mirren, followed closely by Meryl Streep. Bringing up the rear is, of course, the younger two of the nominees, Carey Mulligan and Gabourey Sidibe, respectfully. Helen Mirren’s performance is said to be the most powerful, however Bullock has earned the majority of the Leading Actress awards leading up to the Academy Awards. Read the rest of this entry »

According to Diane Garrett, "Up in the Air" is just one of this year's films that acknowledge the frequency of infidelity

Diane Garrett of Variety.com wrote in an article the other day how it seems the topic of infidelity is hot this year in Hollywood. The reason for this suspicion – 4 out of 10 nominated films for the Best Picture Oscar deal directly with the subject.

Up in the Air, Precious, An Education, and A Serious Man are those 4, and aside from these there’s still those films that weren’t nominated, such as It’s Complicated and Nine.

Garrett notes that, socially, infidelity is a topic that the country can’t seem to avoid, with news breaks about Tiger Woods, John Edwards, Mark Sanford, David Letterman, and John and Kate Gosselin flashing day and night. For something that’s supposedly so immoral, it sure seems to happen quite a lot. Could this be why it’s such a popular topic in recent films?

On the contrary, Garrett makes a different conclusion, chalking the timeliness of the subject up to its versatility in the field of writing.

“It’s interesting, it’s common, and it’s juicy,” says Wesleyan U. film scholar Jeanine Basinger. “You can tell it as comedy, drama, whatever.” – Variety

Infidelity is an issue that audiences seem to have a strange interest in. Strange, that is, because the negative effects of it are well known (scarred children, emotional pitfalls, birthed insecurities, etc.) but because it’s so common it’s traversed from being a serious taboo to fodder for entertainment. And beyond the incorporation of the topic in this year’s four nominees, Garrett insinuates they treat it as a common indiscretion like the most of us. This contrasts, she says, with films like Unfaithful which explicitly claim that such an act should not be tolerated.

To add to Garrett’s article, at least this year’s films aren’t in any way condoning the act of cheating.

This is only Mo'Nique's first nomination, but her wins with the Golden Globes, National Society of Film Critics, and SAG gives her the most momentum

Here at Movie-Thoughts we’re taking it upon ourselves to analyze the nominees for this year’s Academy Awards, figuring out who has the best chance to win their category. We’ll be examining major categories like Best Picture and Best Director, but leading up to these we’ll also examine categories like Best Screenplay and Best Actor. Our Marisa Carpico starts us off with the following evaluation.

Best Supporting Actress

Considering she’s won a Golden Globe, a Screen Actors Guild Award and a Critic’s Choice Award, Mo’Nique is the most likely candidate to win.  If by some shocking turn of events Mo’Nique loses, there’s no telling who could win.  Vera Farmiga’s beguiling performance in Up in the Air might perhaps be the next most likely.  Penélope Cruz is an Oscar favorite, but her role in Nine is far too similar to her Vicky Christina Barcelona character, for which she won the award last year.  Maggie Gyllenhaal gave an interesting performance in Crazy Heart, but it’s the weakest of the group.  The dark horse in this category is Anna Kendrick.  Despite a show-stealing performance in Up in the Air, Kendrick’s youth acts against her as she has plenty of time for another nomination. That being said she does have a chance, thanks to all the buzz she’s been getting from critics. Read the rest of this entry »

With Oscar season now officially upon us, it is time to take a look back and see which films have made Movie-Thoughts’ Top 10 of the year. Granted we’ve only been around since last August, so our list isn’t as well crafted as it might be if we were around for a whole year. However, such lists are just meant to be fun anyways, right? So let’s get to it.

Our list is based solely on how writers Clifford Bugle and Marisa Carpico rated all the movies they reviewed on a scale of 1.0 to 10.0. There were lots of ties, but they were sorted out according to the suggestions of the writers.

1. Avatar -  9.0
2. A Single Man -  9.0
3. Inglourious Basterds -  8.5
4. An Education -  8.5
5. The Hurt Locker -  8.5
6. District 9 -  8.5
7. 500 Days of Summer -  8.5
8. The Book of Eli -  8.5
9. Precious -  8.0
10. The Merry Gentleman -  8.0

How does our list compare with yours? We’re excited to know, so send us your list of the Top 10 movies of the year via our Contact page or this post’s comments section.

It's that time of year again!

Oscar nominations were released today! See which of your favorite movies/people were nominated, and tell us if you disagree with any of them. Are there any snubs?

We here at Movie-Thoughts are soon going to be starting a continuing piece dissecting these nominations one category at a time, so be sure to check back regularly!

The 82nd Academy Awards will be aired on March 7th, and will be hosted by Steve Martin and Alec Baldwin.

Best picture
“Avatar”
“The Blind Side”
“District 9″
“An Education”
“The Hurt Locker”
“Inglourious Basterds”
“Precious”
“A Serious Man”
“Up”
“Up in the Air”

Best actor
Jeff Bridges, “Crazy Heart”
George Clooney, “Up in the Air”
Colin Firth, “A Single Man”
Morgan Freeman, “Invictus”
Jeremy Renner, “The Hurt Locker”

Best actress
Sandra Bullock, “The Blind Side”
Helen Mirren, “The Last Station”
Carey Mulligan, “An Education”
Gabourey Sidibe, “Precious”
Meryl Streep, “Julie & Julia”

Best supporting actor
Matt Damon, “Invictus”
Woody Harrelson, “The Messenger”
Christopher Plummer, “The Last Station”
Stanley Tucci, “The Lovely Bones”
Christoph Waltz, “Inglourious Basterds”

Best supporting actress
Penelope Cruz, “Nine”
Vera Farmiga, “Up in the Air”
Maggie Gyllenhaal, “Crazy Heart”
Anna Kendrick, “Up in the Air”
Mo’Nique, “Precious ”

Best director
James Cameron, “Avatar”
Kathryn Bigelow, “The Hurt Locker”
Quentin Tarantino, “Inglourious Basterds”
Lee Daniels, “Precious”
Jason Reitman, “Up in the Air”

Best foreign-language film
“Ajami” Israel
“El Secreto de Sus Ojos” Argentina
“The Milk of Sorrow” Peru
“Un Prophete” France
“The White Ribbon” Germany

Best adapted screenplay
Neill Blomkamp and Terri Tatchell, “District 9″
Nick Hornby, “An Education”
Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche, “In the Loop”
Geoffrey Fletcher, “Precious”
Jason Reitman and Sheldon Turner, “Up in the Air”

Best original screenplay
Mark Boal, “The Hurt Locker”
Quentin Tarantino, “Inglourious Basterds”
Alessandro Camon and Oren Moverman, “The Messenger”
Joel Coen and Ethan Coen, “A Serious Man”
Bob Peterson, Pete Docter, Tom McCarthy, “Up”

Best animated feature film
“Coraline”
“Fantastic Mr. Fox”
“The Princess and the Frog”
“The Secret of Kells”
“Up”

Best art direction
“Avatar”
“The Imaginarium of Doctor Parnassus”
“Nine” “Sherlock Holmes”
“The Young Victoria”

Best cinematography
“Avatar”
“Harry Potter and the Half-Blood Prince”
“The Hurt Locker”
“Inglourious Basterds”
“The White Ribbon”

Best sound mixing
“Avatar”
“The Hurt Locker”
“Inglourious Basterds”
“Star Trek”
“Transformers: Revenge of the Fallen”

Best sound editing
“Avatar”
“The Hurt Locker”
“Inglourious Basterds”
“Star Trek”
“Up”

Best original score
“Avatar,” James Horner
“Fantastic Mr. Fox,” Alexandre Desplat
“The Hurt Locker,” Marco Beltrami and Buck Sanders
“Sherlock Holmes,” Hans Zimmer
“Up,” Michael Giacchino

Best original song
“Almost There” from “The Princess and the Frog,” Randy Newman
“Down in New Orleans” from “The Princess and the Frog,” Randy Newman
“Loin de Paname” from “Paris 36,” Reinhardt Wagner and Frank Thomas
“Take It All” from “Nine,” Maury Yeston
“The Weary Kind (Theme from Crazy Heart)” from “Crazy Heart,” Ryan Bingham and T Bone       Burnett

Best costume design
“Bright Star”
“Coco Before Chanel”
“The Imaginarium of Doctor Parnassus”
“Nine”
“The Young Victoria”

Best documentary feature
“Burma VJ”
“The Cove”
“Food, Inc.”
“The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers”
“Which Way Home”

Best documentary short
“China’s Unnatural Disaster: The Tears of Sichuan Province”
“The Last Campaign of Governor Booth Gardner”
“The Last Truck: Closing of a GM Plant”
“Music by Prudence”
“Rabbit a la Berlin”

Best film editing
“Avatar”
“District 9″
“The Hurt Locker”
“Inglourious Basterds”
“Precious”

Best makeup
“Il Divo”
“Star Trek”
“The Young Victoria”

Best animated short film
“French Roast”
“Granny O’Grimm’s Sleeping Beauty”
“The Lady and the Reaper (La Dama y la Muerte)”
“Logorama”
“A Matter of Loaf and Death”

Best live-action short film
“The Door”
“Instead of Abracadabra”
“Kavi”
“Miracle Fish”
“The New Tenants”

Best visual effects
“Avatar”
“District 9″
“Star Trek”

Kathryn Bigelow accepting the DGA's award for Best Director for "The Hurt Locker"

Kathryn Bigelow, director of The Hurt Locker, won the Director’s Guild of America’s award for Best Director, beating out ex-husband James Cameron (Avatar), Quentin Tarantino (Inglourious Basterds), Jason Reitman (Up in the Air), and Lee Daniels (Precious).

She is the first woman to ever receive the award.

The DGA’s decision is seldom challenged by the Academy of Motion Picture Arts and Sciences, as the winner of the first has won the second with only 6 exceptions since 1948 (the most recent being the DGA awarding Rob Marshall for Chicago and the Oscars awarding Roman Polanski for The Pianist).

Bigelow’s win continues The Hurt Locker’s momentum, as it also won the Producer’s Guild of America award for Best Producing, and the National Society of Film Critic’s award for Best Picture. Mark Boal, the film’s screenwriter, is also nominated for the WGA’s Screenwriting Award (the winners will be announced Feb. 20th). The American Film Institute also listed the film among its Top 10 films of the year.

Source: Hollywood Reporter

Quick Opinion: Kathryn Bigelow deserves a loud congratulations from the filming community indeed, as with any woman who breaks down a barrier in Hollywood. But even though the DGA’s pick is usually a reliable bet for the Academy Awards, I don’t think her winning the Best Director Oscar is a sure thing. James Cameron’s Avatar will surely be nominated for Best Picture, and his technical innovation for the film still makes him the front runner for the award in my opinion. Bigelow broke down social barriers, and Cameron broke down artistic and technological ones. It all depends on what the Academy of Motion Picture Arts and Sciences believes is more impressive.

Joseph Gordon-Levitt and Zoe Deschanel in director Marc Webb's "500 Days of Summer," written by Scott Neustadler and Michael H. Weber

The Writer’s Guild of America has announced its nominees for the year’s  Best Original and Best Adapted Screenplays. The nominees for Best Original include the following:

500 Days of Summer (Scott Neustadler and Michael H. Weber), Avatar (James Cameron), The Hangover (Jon Lucas and Scott Moore), The Hurt Locker (Mark Boal), and A Serious Man (Joel and Ethan Coen).

The nominees for Best Adapted include the following:

Crazy Heart (Scott Cooper – based on novel by Thomas Cobb), Julie and Julia (Nora Ephron – based on separate books by Julie Powell and Julia Child), Precious (Geoffrey Fletcher – based on the novel Push by Sapphire), Star Trek (Roberto Orci and Alex Kurtzman – based on Star Trek as created by Gene Roddenberry), and Up in the Air (Jason Reitman and Sheldon Turner – based on novel by Walter Kirn).

Notable films that were not eligible for the WGA awards because they were not written under the guild’s jurisdiction were: District 9, Inglourious Basterds, The Road, A Single Man, and Up.

Source: Variety

Joel and Ethan Coen handle directing/producing duties arguably better than anyone

In an article for Variety.com, feature writer Anthony Kaufman sheds light on the world of filmmakers who decide/are able to both direct and produce their movies. People like Peter Jackson, Clint Eastwood, and the Coen brothers are members of an elite group that has won Oscars for both directing and producing, and accomplishing such a feat is even harder than one might think.

The two different, and arguably opposing functions of directors and producers is perhaps the number one reason for the high level of difficulty in doing both. It’s the job of the director to make sure the artistic quality of a film is the highest it can be, and the producer’s job is to manage and organize all aspects connected to a film’s financing. Being that art can be very costly, directors and producers naturally clash every so often during the making of a movie. And aside from this, the simple fact that one person is doing two jobs makes the endeavor daunting.

A positive way of looking at the added responsibility is to say that having to keep both art and practicality in mind while making all decisions is a very useful skill to have because it keeps either from getting out of hand. If a film’s artistic side is met with too few limitations it can make it appealing to too narrow an audience, while if the budget hampers the art’s ability to express itself sufficiently the overall quality of the product suffers.

Director Lee Daniels (Precious) sums up the job of director/producer like this: It’s “powerful, but a powerful curse.” Read more about the job of being a director/producer by clicking on the link below.

Source: Variety

In Other News…

Blake Lively

Gossip Girl and Sisterhood of the Traveling Pants star Blake Lively has been cast in Warner Brothers’ Green Lantern. She will reportedly be the romantic interest opposite star Ryan Reynolds, who is playing the supernatural superhero.

Source: Hollywood Reporter

A still from "Coraline"

The American Film Institute has released their choices for the top 10 films of 2009. The list comprises the following films (in alphabetical order):

Coraline, The Hangover, The Hurt Locker, The Messenger, Precious, A Serious Man, A Single Man, Sugar, Up, and Up in the Air.

Being that Up in the Air hasn’t yet been released into theaters nationwide, its inclusion on this list might act as great promotion and cause the film to have a bigger opening weekend than it would have. The Hangover might also enjoy boosted DVD sales.

Select groups representing these respective films will receive AFI’s awards at a ceremony in Los Angeles on January 5th.

Source: Variety

Quick Opinion: What the hell is The Hangover doing on this list? Certainly there were more deserving films that could have taken its spot in AFI’s top 10 of the year, such as Star Trek or Ingloureous Basterds, to name a few. But to play Devil’s advocate for a moment, many people have been lobbying for years for comedies to get more credit from organizations like AFI because while a successful comedy may not be “artistically superior” (as not every comedy can be Annie Hall) it nevertheless may be impressively effective in garnering the reactions its genre seeks to induce. To The Hangover’s credit its reception was surprisingly positive from critics, and since its release it has penetrated pop culture thoroughly. Is this grounds for being mentioned with films like Precious, The Messenger, and Coraline? Tell us what you think.

Short Take: Uncomprimisingly harsh, which helps make it so inspirational

Director: Lee Daniels (Shadowboxer)

Screenwriters: Geoffrey Fletcher

Cast: Gabourey Sidibe (début), Mo’Nique (Welcome Home, Roscoe Jenkins; Phat Girlz)

Length: 1 hour 50 minutes

Synopsis: Clareece “Precious” Jones is a 16-year-old girl living in 1980’s Harlem.  Still in the eighth grade and pregnant with her second child by her father, she is sent to a special school where she finally learns to read and write and is given the support and confidence she needs to finally escape her physically and emotionally abusive mother.

Analysis: Judging from previews and advertisements for Precious, one would expect it to depict the story’s events with a startling realism.  However, director Lee Daniels takes a different approach.  Though Daniels certainly renders Precious’s life with horrifying detail, the film deals in fantasy as much as it does in realism.  For Precious, and for the film, fantasy is a means of escaping the brutal life she lives. Read the rest of this entry »