Posts Tagged ‘Tron Legacy’

With so many bombs like "The Green Hornet" trying to sell 3D (converted no less), which don't even warrant a normally priced ticket, why should we not still consider 3D to be a money-grabbing gimmick that doesn't add enough to the viewing experience to justify the higher ticket price?

Dear Hollywood,

Please stop pushing 3D.

The Hollywood Reporter has revealed that Pirates of the Caribbean: On Stranger Tides has underachieved in terms of earning first weekend grosses for 3D showings, with more audiences opting for 2D prints. Now, with $90.1 million earned its first weekend in just the U.S., and over $400 million to be earned worldwide by the end of its first full week, the film can hardly be considered unsuccessful. However, numbers show that American audiences’ interest in 3D could be waning. What everyone is trying to figure out is whether fewer 3D tickets sold means audiences are no longer seeing the value in 3D technology or they are becoming less inclined to fork over the extra cash for a 3D ticket.

Guess what Hollywood – if Americans are indeed sick of 3D it’s because of both reasons.

The list of recent movies released in 3D where the extra dimension actually added to the viewing experience is extremely short, including only Avatar, Tron: Legacy, How to Train Your Dragon, Cloudy with a Chance of Meatballs, Coraline, and Monster House. Notice how four of those six are 100% animated, and the two “live action” films are ones which were greatly reliant on digital effects to the point where one could justifiably consider them mostly animated as well. This is not a coincidence, and such a pattern does not help the argument that 3D is the future of the medium. Personally, I won’t give that claim any consideration until I see a truly live action film wow me like the six just mentioned.

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Director Joseph Kosinski at Comic Con 2009

For those of you who missed it, ComingSoon.net published the first of three articles documenting their visit to the set of Tron Legacy this past week, which is the long anticipated sequel to the sci-fi cult classic Tron (1982). This first piece covers a number of elements about the project but mainly focuses on detailing the circumstances which have led the film to being made at this point in time.

One such detail is Disney’s (who owns the rights to the franchise) decision to hire Joseph Kosinski to direct the movie. For starters, he is a first-time director with a background primarily in commercials and his studies are rooted in architecture (he has a Masters from Columbia University in the field), which make him a peculiar candidate for the job. Nevertheless, everyone seems convinced that he withholds a great vision for the film. Steven Lisberger, the director of the original film, is fulfilling a consultant’s role on set and also is encouraged by the work Kosinski’s doing.

Actor Jeff Bridges, also from the original, is reprising his role as programmer Kevin Flynn. His role here wont be very big because his character’s son is the main protagonist this time around, but it is nevertheless integral to the story and helps bridge the gap between the two stories.

“Joe, our director, was an architect,” says Bridges. “That’s where he’s coming from. It’s interesting, different filmmakers, where they come from and what they bring to the film and he’s an architect and so the film has a very heightened design feel to it. By the way, this is his first film. Can you imagine? I don’t know if it’s the most expensive ever made but it’s right up there. To have a first-time guy… Got to give Disney credit for taking that risk. They were smart because he’s such a calm, can-do guy. He’s gonna pull this off. He’s out of commercials, and I saw some of the technology that he had available to him that he could use. It was basically the same reason that I did the first one.” – ComingSoon.net

For those interested in keeping up with Tron Legacy until its eventual release in mid-December, this set visit article series is definitely something to check out and keep checking up on. This opening article steers clear of spoilers, and because ComingSoon.net is publishing it you can feel pretty safe that you wont run into them later on.

Walt Disney Productions has released a teaser trailer for their film Tron Legacy, scheduled to be released into theaters December 17th.

Click here to see it.

“Sam Flynn, the tech-savvy 27-year-old son of Kevin Flynn, looks into his father’s disappearance and finds himself pulled into the same world of fierce programs and gladiatorial games where his father has been living for 25 years. Along with Kevin’s loyal confidant, father and son embark on a life-and-death journey across a visually-stunning cyber universe that has become far more advanced and exceedingly dangerous.” – IMDb.com

The film will be released in 3-D as well as 2-D.

Disney Studio chairman Rich Ross has recently announced that Sean Bailey, current producer of Disney’s Tron: Legacy, will replace Oen Aviv as the company’s President of Production. He will oversee all aspects of live-action production and development for Walt Disney Pictures as well as Touchstone Entertainment.

“Building upon a strong foundation with the company, Sean brings great creative instincts and considerable filmmaking experience to his new role,” Ross said. “His close relationships throughout the creative community and industry at large make him an ideal leader to set the direction of TWDS’ future film slates. Sean’s talent, energy, and commitment to delivering quality content will help us achieve our goals of producing and distributing Disney-branded movies that entertain audiences worldwide.” – Hollywood Reporter

Other producing credits of Bailey’s include Matchstick Men and Gone Baby Gone.

Source: Hollywood Reporter

December 17, 2010

Disney Studios has released that it officially plans to release its 3D sequel of their 1982 film Tron on December 17, 2010.

The new film, Tron Legacy, is another film on a growing list that will be simultaneously released on regular theater screens as well as IMAX screens. The film is supposed to take full advantage of IMAX’s visual technology.

Source: Variety